From zero to AI master.
30 days. 5 minutes a day.

Yes. Zekai is an independent AI tools directory — the challenge is how we introduce people to the tools we test. Some tool pages contain affiliate links; the challenge itself costs nothing and requires no purchase.

No. There is not a single drill in this challenge that asks a model to write a song for you. Day 5 uses one to interrogate a lyric you wrote and explicitly forbids it from offering alternative lines. The value here is everywhere else: session logs, metadata that actually gets you paid, split sheets, release timelines, contract preparation, sync readiness and teaching material. Those are the hours that keep you out of the room where the music happens.

Installed on day 6, and it is the spine of the whole month: a voice is a person property, and a simulation of it counts. Tennessee ELVIS Act, which took effect on 1 July 2024, made it the first state to add voice explicitly alongside name, photograph and likeness, and it defines voice to include a simulation as well as the real thing. The practical consequence for working musicians is the part people miss: consent to record somebody is not consent to clone them, and that applies to the session singer you hired last year as much as to a famous artist.

Credit is not permission. The ELVIS Act creates a property right in a person voice including a simulation of it, so the question is whether you have their agreement, not whether you named them. Day 6 covers what to get in writing — including from session singers and voice actors, whose original release almost certainly said nothing about cloning. Using your own voice, a properly licensed synthetic voice, or a voice you have written permission for is a completely different activity. Nothing here is legal advice and the law differs by country and by state; take proper advice before you build anything on it.

Because the numbers are on your side and almost nobody knows it. Deezer reports that fully AI-generated tracks now exceed half of daily uploads — and account for only 1 to 3% of actual listening, because they are excluded from recommendations. Up to 85% of the streams they do get were fraudulent. The flood is a payout attack, not an audience. This challenge is not about joining it. It is about the metadata, splits, rights and release work that decide whether a real artist gets paid, and about knowing exactly where the legal line sits on voice.

Because binge-reading builds nothing. The challenge unlocks one drill per day from the day you sign — the way any skill gets built: daily reps. Day 1 is open right now so you can try it before committing.

Zero. Day 1 assumes you have never written a deliberate prompt. By day 14 you will have a release metadata checklist that stops your royalties going unmatched.

Life happens, and so does an unplanned stop. The challenge is sequential, not strict-daily. Pick up where you left off; the certificate cares that you finish all 30, not that you were perfect.

This is the Music, Audio & Voice Edition. Doctors, lawyers, accountants, teachers, farmers, video editors and many more are already running theirs, with more coming. Sign up and we’ll tell you when yours goes live.