
Automatically edit multi-camera video podcasts and shows directly inside Adobe Premiere Pro and DaVinci Resolve.
Save hours on tedious tasks like multi-cam switching, social clip creation, and jump cuts with this suite of AI plugins.
Top AI for Video Editing & Production picks
See all 99 AI for Video Editing & Production tools →For video editors working on multi-camera podcasts, AutoPod is the best AI tool for automating the editing process. It integrates directly into Adobe Premiere Pro and DaVinci Resolve, using AI to create human-like multi-camera edits from separate audio tracks. This saves editors hours of manual cutting per episode.
See AutoPod in action
Your workflow, automated
Before & After
Manually switching between camera angles for hours on every podcast episode.
6-8 hours per episodeGenerating a complete multi-camera edit automatically in minutes.
<1 hour per episodeTry it with these prompts
Copy any prompt and paste it directly into the tool.
Input your multi-camera footage and audio. AutoPod will automatically edit sequences for up to 10 cameras and microphones, handling various shot types and editing methods. Save your custom presets for consistent results.
Provide your main video and desired aspect ratios (1920x1080, 1080x1350, 1080x1920). AutoPod will generate social clips, resize footage, and add auto-reframes, watermarks, or end pages as needed. Batch export all clips a…
Upload your footage and specify a decibel cutoff for your microphone. AutoPod will automatically create engaging jump cuts by identifying and removing silences, ideal for social media content.
Trusted by professionals
Inside AutoPod

Captured by Zekai from the live AutoPod interface during review.
Works with your existing stack
How it compares
AutoPod's primary competitor in the AI editing space is Descript. Choose AutoPod when your workflow is centered inside a traditional NLE like Premiere Pro or DaVinci Resolve and your main goal is automating the video switching aspect of a multi-camera shoot. Its strength is its deep integration and focus on visual editing. Choose Descript if your workflow is transcript-based and you primarily need to edit content by editing text. Descript is better for single-camera content or when the text edit is the primary driver of the video cut.
Is it worth it?
Why Video Editing & Production choose this tool
Key Use Cases
AutoPod is an indispensable time-saver for any editor working on multi-camera podcasts. Its ability to generate a near-finished multi-cam edit and a full suite of social clips automatically is a game-changer for production workflows. The primary limitation is its specificity; it requires separate audio tracks per speaker and is only available for Premiere Pro and DaVinci Resolve.
Frequently asked questions
What are the system requirements for AutoPod?
Does each AutoPod license only work on one computer?
Can I use the Multi-Camera Editor with a single audio source?
Is AutoPod available for DaVinci Resolve?
Is AutoPod available for Final Cut Pro or Avid?
How does AutoPod's Multi-Camera Editor decide which camera to use?
Last reviewed:
Start today
Prices and features are updated regularly but can change at any time — always confirm on the official website. Some links on this page are affiliate links.
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Take it with you
- Cut your podcast editing time by up to 90%.
- Master the three core AutoPod plugins.
- Learn the optimal project setup for perfect AI edits.
- Automate social media clip creation in 3 aspect ratios.
- Troubleshoot common issues like audio bleed.
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About AutoPod
Full Description
AutoPod is a suite of plugins for Adobe Premiere Pro and DaVinci Resolve designed to automate the most repetitive parts of video podcast editing. It automatically handles multi-camera editing, creates social media clips in various aspect ratios, and generates jump cuts based on silence.
Editorial Verdict
AutoPod is an indispensable time-saver for any editor working on multi-camera podcasts. Its ability to generate a near-finished multi-cam edit and a full suite of social clips automatically is a game-changer for production workflows. The primary limitation is its specificity; it requires separate audio tracks per speaker and is only available for Premiere Pro and DaVinci Resolve.
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